To cite this article: Paquette, Lucy. “A Closer Look at Tissot’s “Too Early”.” The Hammock. https://thehammocknovel.wordpress.com/2014/12/11/a-closer-look-at-tissots-too-early/. <Date viewed.>
James Tissot exhibited Too Early at the Royal Academy in 1873, where it was his first big success after moving to London from Paris two years previously.
Victorian art expert Christopher Wood (1941 – 2009) believed this painting was inspired by an illustration, The First to Come by Frederick Barnard, published in the Illustrated London News in 1872. He wrote that it depicted “a nervous young man launched into a drawing room by a superior butler…it was part of Tissot’s genius to see [in such scenes] a potential subject.” Wood commented that Too Early “has deservedly remained one of the most acclaimed of all Tissot’s pictures.”
Too Early (1873), by James Tissot. Oil on canvas, 27.95 by 40.16 in. (71 by 102 cm). Guildhall Art Gallery, London. (Photo: Wikimedia.org)
According to Tissot’s friend, the painter Louise Jopling (1843 – 1933), Too Early “made a great sensation…It was a new departure in Art, this witty representation of modern life.” One critic wrote that he “fairly out-Tissoted himself in his studies of character and expression. [The] truthfulness and delicate perception of the humor of the ‘situation’ [compares to that found] in the novels of Jane Austen, the great painter of the humor of ‘polite society’.”
Too Early was purchased by London art dealer William Agnew (1825 – 1910) – who specialized in “high-class modern paintings” – and sold in March, 1873 (before its exhibition at the Royal Academy that year) to Charles Gassiot for £1,155. Gassiot (1826 – 1902) was a London wine merchant and art patron who, with his wife Georgiana, donated a number of his paintings to the Guildhall Art Gallery, London from 1895 to 1902. Gassiot bequeathed Too Early to the Guildhall Art Gallery, where it is on view for visitors.
On my recent trip to London, I took these photos for you to enjoy!
Tissot in the U.K.: London, at The Geffrye & the Guildhall
A Closer Look at Tissot’s “The Ladies of the Chariots”
A Closer Look at Tissot’s “The Artists’ Wives”
A Closer Look at Tissot’s “The Ball on Shipboard”
© 2014 by Lucy Paquette. All rights reserved.
The articles published on this blog are copyrighted by Lucy Paquette. An article or any portion of it may not be reproduced in any medium or transmitted in any form, electronic or mechanical, without the author’s permission. You are welcome to cite or quote from an article provided you give full acknowledgement to the author.
Take my new Buzzfeed Personality Quiz: Which Female Victorian Artist Are You?
If you do not have a Kindle e-reader, you may download free Kindle reading apps for PCs, Smartphones, tablets, and the Kindle Cloud Reader to read The Hammock: A novel based on the true story of French painter James Tissot. Read reviews.
The Hammock: A novel based on the true story of French painter James Tissot, brings Tissot’s world from 1870 to 1879 alive in a story of war, art, Society glamour, love, scandal, and tragedy.
Illustrated with 17 stunning, high-resolution fine art images in full color
Courtesy of The Bridgeman Art Library
(295 pages; ISBN (ePub): 978-0-615-68267-9). See http://www.amazon.com/dp/B009P5RYV
The Hammock: A novel based on the true story of French painter James Tissot is now available as a print book – a paperback edition with an elegant and distinctive cover by the New York-based graphic designer for television and film, Emilie Misset.
The Hammock 